Titanium white with ultrafine primary grain. Ideally suited for highlights.

Pure white, ideal for lightening colours.

Pure, brilliant and opaque white with highest tinting power.

Clear white for soft lightening of colours; especially for lightening Prussian blue.

Higher lightening power and opacity than zinc white.

A warm, reddish shade; ideally suited for mixing more flesh tints.

Ideally suited for portrait painting

Highly opaque, warm ochre shaded yellow.

Lighter and more yellowish than Naples yellow deep.

Highly opaque, slightly dull. Imitation of the toxic real chrome yellow light – a bit more brownish than the original shade

Highly opaque, slightly dull. Imitation of the toxic real chrome yellow middle.

Highly opaque, slightly dull. Imitation of the toxic real chrome yellow deep.

Traditional shade. Very light and beige yellow.

Classical shade for oil painting; brilliant yellow with green tinge

Highly opaque, brilliant yellow with green tinge and high tinting power.

A variation to cadmium yellow. Less tinting power and semi-opaque.

Highly opaque, brilliant basic yellow with high tinting power.

Highly opaque, brilliant yellow with orange tinge; high tinting power.

Warm semi-opaque brilliant basic yellow.

Traditional, translucent orange yellow.

Highly opaque, brilliant orange with high tinting power.

Semi-opaque, brilliant orange; more reddish than cadmium orange.

Fine, translucent and glowing orange red.

Classical, brilliant red with yellow tinge.

A darker and more bluish shade of vermillion red light

Highly opaque, brilliant red with high tinting power.

A variation to cadmium red light. Less tinting power and opaque.

Very deep, highly opaque red with bluish tinge.

Very light, translucent red with yellow tinge. Ideally suited to mixbrilliant orange shades.

Deep, translucent and brilliant red.

Very deep, translucent and brilliant red.

Translucent, deep red with brown tinge.

Semi-transparent, brilliant red with blue tinge.

Translucent basic shade for mixing brilliant violet shades.

Semi-opaque basic shade for mixing brilliant violet shades.

Very pure violet with bluish tinge. Imitation of the real cobalt violet with a new pigment type.

Very fine, translucent and brilliant bluish violet with high tinting power.

Fine, translucent deep blue shade with red tinge; corresponds to the former Delft blue.

Classical, fine, translucent deep and pure blue with red tinge, slightly more reddish in mixtures.

Lighter and a little less reddish than ultramarine blue deep.

A very reddish light blue.

Very deep, translucend and clear blue.

Semi-opaque, pure blue with red tinge.

Imitation of cobalt blue deep.

Greenish middle blue; ideal for mediterranean painting.

Very deep blue with high tinting power.

Traditional blue for oil painting. Extremely deep blue with high _x000D_tinting power. Served in former times for mixing green shades. _x000D_Tends to broncing due to the high pigmentation.

Translucent basic shade for mixing brilliant green shades.

Very brilliant medium blue; ideal for landscape painting.

Very brilliant light blue; ideal for landscape painting.

Opaque turquoise with high tinting power and highest brilliance.

Fine, translucent brilliant green with blue tinge; cannot be mixed.

Glowing, semi-transparent green with blue tinge; small tinting power.

Clear, semi-opaque medium green.

Opaque, slightly dull green.

Medium, pure green.

Very yellow, light and glowing green; similar to a may green.

Opaque, dull and deep green with yellow tinge.

Deep, translucent green.

Highly opaque, slightly dull green with high tinging power, more tinting_x000D_ power in mixtures with white.

Green with low tinting power, idealy suited for painting shadows.

Real ochre. Semi-opaque, warm brown with yellow tinge. Ideal for _x000D_slight darkening of white shades.

Opaque, warm ochre shade with yellow tinge.

Very fine translucent yellowish brown shade.

Deep, warm, red tinged ochre shade, pigmented with natural earth.

Real Sienna, medium warm brown.

Real burnt Sienna. Glowing and deep red brown.

Highly opaque brownish red with high tinting power.

Highly opaque brownish red with high tinting power, deeper and _x000D_more red than English red.

Highly opaque, deep red brown with violet tinge. _x000D_Slightly lighter in mixtures with white.

Fine, transparent, deep brown with mahagony shade.

Fine, transparent, brilliant and deep orange brown.

Brown with medium tinting power. Ideal for slight darkening of_x000D_ white shades.

Real burnt umber; very opaque and deep black brown.

Semi-opaque, deep black brown.

Very deep, transparent black. Ideal for soft darkening coloured _x000D_shades – without black pigment.

Highly opaque, brown black with high tinting power.

Traditional, opaque deep black.

Transparent, deep blue grey with red tinge. Ideally suited for _x000D_painting shadows.

Opaque grey, slightly reddish.

Opaque grey, slightly greenish.

Highly opaque, brilliant silver.

Opaque, brilliant gold with yellow tinge.

Opaque, bronze shade with red tinge.