NORMA® Blue
Finest artists’ water-mixable oil colours, series 21- 48 clours including special transparent colours and classic gold
- Water-mixable: can be painted and cleaned with water instead of solvent
- Vegan
- Eco-friendly: Formulated exclusively with high-quality vegetable oils, no use of cobalt, cadmium or zinc oxide pigments
- Low-odour: Making it ideal for indoor painting and classroom use
- Allergy-friendly: Without preservatives
- Developed in line with proven NORMA Professional quality and colouristics
- Highly pigmented and highly lightfast (4-5 stars)
- Buttery-paste consistency with characteristic brush trace
- Low yellowing
- Good water absorption
Water-mixable, environmentally conscious and vegan
NORMA Blue allows almost odourless painting. Without any solvents, the water-mixable paints are ideal for indoor painting also without a studio. The 48 high-quality brilliant colours will awake your appetite for oil painting: they are uncomplicated to use, easy to clean and vegan. And allergy sufferers are happy that the colours do not contain any preservatives. In addition, as genuine oil paint of the finest quality, they are equally suitable for all oil painting techniques.
For beginners and switchers
Start right away with NORMA Blue: Even without prior knowledge, you can paint directly in oil. The colours can be used pure, simply diluted with water or in combination with the NORMA Blue mediums on canvas or on oil painting paper. The brushes, palette knives and palettes can also simply be cleaned with water and a little soap if necessary. And experienced oil painters interested in working without solvents will also be pleased not only with the finest NORMA quality but also with the increased environmental compatibility.
NORMA Blue mediums for water-mixable oil colours
A huge benefit: NORMA Blue can simply be painted and cleaned with water. Another plus is that there are five special mediums that make painting with water-mixable oil paints even more fun. They have an accelerating or retarding effect on the drying time, increase gloss and glaze and are suitable as thinner to intensify the typical "oil feeling". A special linseed oil rounds off the NORMA Blue range of mediums.
Good to know: Except for the “Painting medium Blue”, all other mediums of this series can also be used with traditional oil paints.
NORMA® Blue - Colour chart
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Warm white with low tinting power, ideal for soft lightening of colours
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Brilliant yellow with green tinge. Mix with phthalo blue for brilliant green shades.
very goodsemi-opaque
Cadmium-free and brilliant alternative to cadmium yellow lemon with high tinting power.
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Cadmium-free and brilliant alternative to cadmium yellow light with high tinting power.
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Cadmium-free and brilliant alternative to cadmium yellow medium with high tinting power.
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Brilliant, cadmium-free alternative to cadmium yellow deep hue with high tinting power.
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Cadmium-free and brilliant alternative to cadmium orange with high tinting power.
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very goodtransparent
Yellowish base red. Ideal for mixing orange shades with cadmium yellow hue medium.
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Cadmium-free and brilliant alternative to cadmium red light with high tinting power.
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Cadmium-free and brilliant alternative to cadmium red medium with high tinting power.
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Cadmium-free and brilliant alternative to cadmium red deep with high tinting power.
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Deep red with brown tinge. Lightfast alternative to the real alizarin crimson.
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Basic shade; ideal for mixing brilliant violet shades with ultramarine.
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very goodsemi-opaque
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Pure blue with red tinge. Ideal for mixing brilliant violett shades with ruby red.
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Lighter and a little less reddish than ultramarine blue deep.
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Traditional blue for oil painting. Extremely deep blue with tinting power.
very goodsemi-transparent
Transparent basic blue. Ideal for mixing brilliant green shades with lemon yellow.
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very goodopaque
Very transparent, deep, brilliant green with blue tinge. Cannot be mixed.
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very goodsemi-transparent
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Natural earth with low tinting power. Good
for softening colours in portrait-/nude painting.
very goodsemi-transparent
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Recreation of the shade that used to be obtained from finely ground lignite.
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Blue grey with violet tinge. Ideally suited for painting shadows.
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