Perfect for lightening multicoloured shades. Semi-transparent alternative for titanium white (opaque).

Pure, brilliant white with maximum opacity and tinting power.

White with minimal lightening and colour change when mixing. Without a blue tint in red mixtures. Grayish in full tone.

Unbleached, highly opaque titanium dioxide. The colour is a dull beige.

A soft yellowish white tone. Originally derived from ground ivory. Today, it is synthetically recreated without any animalderived ingredients.

*new colour number 2025, previously “786”.

Pale greenish yellow comparable to original lead-tin yellow.

Brilliant, green-tinted basic yellow. In combination with phthalo blue cyan (439) ideal for mixing a brilliant, semi-opaque green range.

Brilliant yellow with a greenish tinge based on an inorganic pigment with high tinting power. Good mixing properties with Phthalo blue cyan (439), produces clear, brilliant and opaque green tones.

Cool, brilliant yellow.

A greenish and highly saturated imitation of Cadmium yellow light (207).

Pure, warm yellow. Great for lightened pure yellow and green shades.

Brilliant, red-tinted basic yellow. Mixes well with Cadmium red light (317) to produce opaque orange tones.

A reddish and highly saturated imitation of Cadmium yellow medium (211).

Translucent orange-yellow colour. In former times it was produced in India from the urine of cows which were fed with mango leafes. This colour is now recreated synthetically.

Brilliant orange-yellow.

A yellow-orange, highly saturated imitation of Cadmium yellow deep (213).

Inorganic, warm, and muted yellow.

Brilliant orange with high tinting power.

A highly saturated imitation of Cadmium Orange (214).

Pure, fire red orange colour.

Glowing, transparent orange similar to poppy red.

*2025 renamed colour; previously known as “transparent orange”

Deeply coloured, yellowish base red. With Cadmium yellow medium (211) ideal for mixing an opaque orange series.

A highly saturated imitation of Cadmium red light (317).

Bright, fiery red colour. Reproduction of the originally used mineral mountain cinnabar.

Deeply coloured, yellowish base red. With Cadmium yellow medium (211) ideal for mixing an opaque orange series.

*2025 renamed colour; previously known as “Madder brilliant”.

Brilliant, yellow tinted scarlet red.

A highly saturated imitation of Cadmium red medium (320).

Brilliant red, not as radiant as Pyrrole red dark (323).

A highly saturated imitation of Cadmium red deep (322).

A deep, radiant red. Intense and vibrant colour power.

Deeply coloured, yellowish base red. With Cadmium yellow medium (211) ideal for mixing an opaque orange series.

*2025 renamed colour; previously known as “Ruby”.

Dark red with brown tinge.

Light, transparent purple red.

Translucent blue-tinted basic red. Mixtures with Ultramarine blue (433) produce brilliant, transparent violet tones.

Very transparent, dark purple violet.

Magenta is one of the three primary colours of the subtractive colour model.

Cool, intense violet hue. In mixtures, it creates delicate blue-greys.

A delicate and brilliant red-violet.

A vibrant and deep blue-violet.

Deep, midnight blue with strong tinting power. Lightfast imitation of the original indigo.

Finely transparent, red-tinted blue. Very deep full colour due to hight tinting power.

*2025 renamed colour; previously known as “Delft blue”.

Pure basic blue with a reddish tinge. Mixtures with Quinacridone magenta (326) produce brilliant, transparent violet tones.

Deeper and more reddish than Cobalt blue light (435).

Clear blue; very good base for blue sky colours.

Light blue colour, obtained by a cobalt pigment.

Inspired by the deep blue tones of the Middle East, originally made from lapis lazuli and smalt, now produced synthetically.

Transparent basic blue. Brilliant, semi-opaque green shades can be obtained by mixing with Hansa yellow lemon (205). Mixtures with Quinacridone magenta (326) produce brilliant, transparent violet shades

Black blue in full shades; produces a green-tinted blue in mixtures with white or in glazes.

Turquoise tinted blue. Good basis for marine colours.

Opaque, green-tinted medium blue.

Finely transparent, brilliant turquoise blue.

Opaque, clear, light turquoise.

Deeply coloured, yellowish base red. With Cadmium yellow medium (211) ideal for mixing an opaque orange series.

Bluish deep green. Similar to the tourmaline (dark blue greenish tinge).

*2025 renamed colour; previously known as “Turmaline green”.

Glowing green with a blue tinge; similar to an emerald green and the classic viridian.

Full, brilliant green; cannot be mixed.

More yellow and lighter than the phthalo green blue shade (563).

Medium green with high tinting power.

*2025 renamed colour; previously known as “Oriental green”.

Warm, slightly dull green shade. 

Brilliant green shade. More neutral than vanadium green (568).

*2025 renamed colour; previously known as “Permanent green light”.

Brilliant, yellow light green.

Slightly dull, very yellowish green colour

In the full shade, strong green, translucent yellowish, basis for variations of plant green colour shades.

Semi-transparent, brown-tinted natural earth.

A vibrant and muted green.

A bright, yellow-tinged, and radiant green.

Basic colour for mixing various skin colours.

*new colour number 2025, previously “787”.

Ochre shade, light yellow with a green tinge.

*2025 renamed colour; previously known as “Naples yellow light”.

Deeper and more reddish than Naples yellow light (672).

*2025 renamed colour; previously known as “Naples yellow deep”.

Brilliant, ochre-like yellow tone. Special effect in glazing.

*2025 renamed colour; previously known as “transparent golden yellow”

Slightly brownish yellow ochre; obtained by a synthetic, hydrated iron oxide.

Semi-transparent, strong and yellow-tinted brown. Obtained from French natural mineral.

French natural earth imitates the original from Italy. Deeper and warmer shade than Yellow ochre (675).

Reddish brown pigmented with a burnt natural earth.

Brilliant dark brown. Perfectly suited for glazes.

Medium brown, slightly dull shade.

*2025 renamed colour; previously known as “brown iron oxide”.

Obtained from a French natural mineral, produces a slightly dull deep brown.

Strong, deep brown. Similar to Sepia if used in glazes.

Warm light grey.

*2025 renamed colour; previously known as “pale grey”

Neutral, medium grey without black pigment.

Cold, blue-tinted Schmincke grey.

Deep black-green in full tone, greenish grey tone for glazing and in brightenings.

*2025 renamed colour; previously known as “Atrament black”.

Opaque, slightly dull deep black.

A brownish black.

A highly intense and deep black.

Silver colour based on mica, coated with metal oxide.

Gold with yellow tinge based on mica, coated with metal oxide.

Gold with greenish tinge based on mica, coated with metal oxide.

Neutral gold based on mica, coated with metal oxide

Reddish gold based on mica, coated with metal oxide.